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Limes XX. Proceedings of the 2oth Intern. Congress
of ROman Frontier Studies. Leon, 2006.
Anejos de Gladius 13, Madrid, 2009, pp. 339 ff.
PUGIO HISPANIENSIS BETWEEN CELTIBERIA AND ROME.
CURRENT RESEARCH AND ANALYSIS
OF THE CONSTRUCTION OF THE SHEATHS
EDUARDO KAVANAGH DE PRADO & FERNANDO QUESADA SANZ
The aim of this paper is twofold. Within the context of research on the adoption by
Republican Roman armies of foreign weapons, we present the case of the Iberian bidiscoidal
dagger, the prototype of the Roman pugio. Specifically, we analyze the differences and similarities
in sheath construction and suspension system between Iberian daggers and their Roman
counterparts.
IBERIAN BIDISCOIDAL DAGGERS AND ROMAN PUGIONES: A RESEARCH OVERVIEW
As early as the early years of the 20th century, both Spanish and German historiography
embraced the idea of a hypothetical relationship between the pre-Roman Celtiberian Spanish
dagger (the so-called bidiscoidal dagger) 1 and the Roman pugio or military dagger (e.g. Sandars,
1913; Schulten, 1914).
The close typological similarities between both weapons, and the very close historical contact
between Roman and Celtiberian armies during the conquest of the Peninsula –including the
presence of strong contingents of Celtiberians acting as Roman auxiliaries since Hannibal’s War–
were the main arguments which supported this theory, even if no ancient literary source
specifically states that Romans adopted or copied the Celtiberian dagger, as they do in the case
of the gladius Hispaniensis (see recent reviews of these aspects in Quesada, 2006; 2006b).
The Celtiberian bidiscoidal dagger emerged around the end of the fourth century BC, or
slightly after, and is first documented in the eastern part of the Spanish central plateau, or
Celtiberian area. It survived, with little change, until the end of the first century BC, a moment
in which it was already in use by the Roman army (Ulbert, 1984 for a Sertorian date; then the
stele of Minucius Lorarius, Keppie, 1991, c. 49–42 BC). It is now generally accepted that the
origin of the Roman pugio lies in Iberia (Quesada, 1997: 301; 2000: 100-101; 2006; 2006b;
1 In fact, the peninsular type is widely known in Spanish literature as “biglobular” or “doblegobular”, a misleading
term as the hilt has two flat discs, not spheres.
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Feugere, 1993:163; Bishop & Coulston, 1993: 54; Filloy & Gil Zubillaga, 1997:148; Connolly:
56-57; Luik, 2002: 90).
A discussion still rages, however, over the precise moment of the adoption of this type by
Roman soldiers. The finds on the Northern limes of the Roman Empire demonstrate that the
military dagger was used at least from the second half of the 1st c. BC onwards. But some daggers
–probably of native manufacture– from the Iberian Peninsula but in Roman contexts (such as
Roman military camps) date from a much earlier period, even mid-second c. BC (Quesada, 2000:
100-101; 2006; 2006b; Quesada & Kavanagh, 2006: 71).
From these facts we could suggest a possibly earlier adoption of the Celtiberian dagger, at
some moment between the 150s BC (Celtiberian Wars) and c. 50 BC (Caesar): during this period
Celtiberian daggers, often elaborately decorated with silver, copper and even gold inlay, could
have been individually taken as booty –or purchased– by Roman officers or fortunate soldiers.
After the latter date the daggers –even some of the original ones– would gradually have been
exported to the rest of the Roman world, being copied and finally becoming a popular piece of
equipment at the time of the emperor Augustus (Scott, 1985), perhaps even as an required
element in the standard panoply. Therefore, after a somewhat haphazard start, the Roman
production of pugiones would probably not have been synchronic throughout the Empire.
One of the main problems concerning the bidiscoidal dagger is the very early date of the
archaeological digs in which the most important and best preserved pieces were found. Most
known examples were discovered in the decades between 1900 and 1930, a period in which the
archaeological methodology – and standards of publication were still in their early stages so that
a lot of information about the context in which these pieces were discovered was lost forever. To
this fact we must add the problem of the provenance of a great number of pieces in private
collections, the context of their discovery being completely unknown. So, a precise cultural and
chronological identification of the whole series of Celtiberian and of Roman pugiones in Iberia
before Caesar’s time is impossible on the basis on context, and relies heavily on typology, which
increases uncertainties.
SWORD AND DAGGER SUSPENSION SYSTEMS IN ANCIENT WORLD
The general side weapon suspension systems in pre-Roman Iberia can be reduced to a few
types, one of them much more popular than the rest. This obviously goes in relation with the
model of sheath.
The typical suspension system throughout the Mediterranean, including the Iberian
Peninsula, consists of a baldric, that is, a belt worn over the shoulder and across the chest. The
baldric is connected to the sheath or scabbard by a variety of means, typically a series of mobile
metal rings connected to a metallic structure that frames an strenghtens the wooden or leather
sheath (see Rapin, 1991 and Quesada, 1997: 251 ff. for details). This system is consistently
shown in Archaic and Classical Greece, Republican and Early Rome, and Iberia, although there
are variations in points of details, specially the number and arrangement of suspension rings, not
really well understood in the Roman case (see Bishop & Coulston, 2006: 82-83; contra Hazell,
1984: 74, fig. 1).
A second system, not as popular in Iberia as the previous one, consists in a fixed ring at the
back of the scabbard, through which some sort of organic strap is looped. This back ring
resembles a bridge, and that is why this system is also called “pontet”, the French word for
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“bridge”. It is believed that this strap was bound around the waist. As a result, the scabbard takes
a completely vertical position. Its origin is Gallic, and is only rarely found in the Peninsula,
mainly in the far north-east (modern Catalonia), that which is geographically – and in some ways
culturally closest to the Gallic culture (on Iberian weapons with La Tène suspension systems see
Quesada 1997: 250 ff. Now García Jiménez 2006: passim) Throughout the rest of the Peninsula
the tendency was to use the ring system, even to the point of transforming “pontet” suspended
scabbards into ring-suspended scabbards.
On the other hand, the typical Late Republican and Early Imperial Roman scabbard is formed
by a metallic frame and held by means of four rings, two on each side of the scabbard. As in the
case of the dagger, all evidence for the Roman republican sword points to a Celtiberian origin, in
particular from local variations of La Tène swords (Quesada, 1997b: 251-270), of the Roman
republican sword called, not in vain, gladius Hispaniensis. The swords of Roman type found in
the Gallic cemetery at Giubiasco are later –probably first century BC– and their ring suspension
systems are proof of Roman influence and not the other way round (for them see Tori et alii,
2004: 42 ff.).
There are some other peculiar suspension methods since the second half of the fourth century
BC, such as the lateral “handles” system employed in some northern daggers (see Filloy, 1997)
that probably were linked to a baldric by means of a mobile metal flat piece similar in function
to the more common ring, but more rigid. A later variant of this system found in a sheath
fragment of Early Imperial Roman date at the camp of legio IIII Macedonica at Herrera de
Pisuerga has been considered a link between Celtiberian and Roman suspension systems, but this
remains to be proved with more definite data (see Fernandez Ibáñez, 1999).
As to the way this model of scabbard was suspended, there are still many doubts. Two
hypotheses occupy the centre of the discussion. The first one defends a baldric suspended
scabbard, using only three of the four rings. The second theory believes in a strap of leather
crossed across the back of the scabbard and hitched on the four rings. Through the space between
the leather and the scabbard a belt would be passed, thereby holding the scabbard from the waist.
The question is still open, and it is even possible that both systems were used at the same time.
During the Late Empire, of course, the suspension changed radically into a combined system of
baldric and “pontet” quite different from the Gallic model (e.g. see Bishop & Coulston, 2006:
134; Lebedynsky, 2001: 109 ff.)
IBERIAN DAGGERS
Some types of Iberian daggers (there are basically six groups, see Quesada 1997: Fig. 164)
show certain peculiarities which in many cases render them useless from a military point of view,
probably due to the fact that they were mainly worn for status display, which probably accounts
for some huge and rather extravagant sheaths of the Monte Bernorio group (Quesada’s type III).
In the case of the southern (properly “Iberian”) daggers, some types (I, IIA) are perfectly
functional –they resemble in shape short swords– but some of them (types IIB-IIC) are too wide
and short to be functional (Quesada, 1997: plate VIID), and in the case of the daggers from the
central plateau (type III) their small dimensions and huge hilts and scabbards make them little
more than militarily useless. All of which demonstrates that their representative function had far
more importance than any practical utility. As a consequence, the dagger sheath occupies a very
different position from the sword. The tendency is towards a horizontal position, and more
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towards the front of the body, where it can be clearly seen. This is clearly visible in the Porcuna
sculpture group, where daggers are suspended by means of two straps, probably made of leather,
crossed over the sheath (see Negueruela, 1990: fig. 25, and plates XIV, XXVIII).
Nevertheless Celtiberian daggers as a whole evolved into more practical weapons through
time, becoming simpler, probably cheaper, less decorated and more functional. The bronze
elements are gradually substituted by, not as fanciful, but stronger and probably cheaper, iron
pieces. Inlay decoration remained popular, however, and we can find some quite richly decorated
daggers in the Late Celtiberian days, and even in Roman times. As a matter of fact, dagger and
sheath decoration experiments a revival in the Roman period (1st–2nd c. AD), long after
Celtiberian daggers had nearly completely abandoned decoration. This could be proof of the
change of function of the dagger through time and in different environments.
Iberian daggers evolved from a very long tradition of longer weapons. The “Frontón daggers”
of type Quesada I (1997: fig. 164, 165) originated in the fifth century BC as a sideshow of the
“frontón sword” that was also exported to Celtiberian territory. Eventually a new type appeared,
(Quesada Type IV) during the fourth century BC in which we can already trace many of the
characteristics of what would eventually become the true bidiscoidal Celtiberian dagger (Quesada
type VI) and the Roman pugio. The main coincidence lies in the construction system of the hilt.
In both cases the hilt is formed by five pieces superposed one over another. The central metallic
plate is an extension of the blade; the remaining four are alternate pieces of organic material
(wood, bone, antler) and iron sometimes decorated with silver or copper inlay. All five pieces are
kept together by means of a variable number of nails from a minimum of two to a maximum of
eight. Although highly uncertain, there seems to be a relation between the higher number of nails
and a later date of the dagger.
The distribution of the finds of the bidiscoidal dagger concentrates into two main areas, from
which the type spread to the rest of the Peninsula. These two areas correspond to different
cultural societies, the Celtiberian group in the Eastern Meseta around Soria and Guadalajara
provinces –a group which links several peoples closely related to each other–, and the Vettones to
the west along the Duero river, also related to the Celtiberians but a different people. Smaller
groups are found in the territory of the Vaccaei, to the south of the Vettones, and even in Iberian
lands towards the Mediterranean.
IBERIAN DAGGER SHEATHS: THEIR METHOD OF CONSTRUCTION
Celtiberian and the later Roman sheaths share the basic layout and structure and also the
basics of a suspension by means of rings. They also share many other external features, such as
the incised and inlaid decoration and its motifs, and the flat disc-shaped terminal button or
chape. Nevertheless, they differ markedly in a decisive point: the method of construction. The
typical Iberian dagger sheath (Fig. 1) is made of a minimum of five pieces: first of all two thin
inner wooden plates, flanked by a metallic frame made of two “U” shaped pieces or “gutters” that
enclose the sheath at both sides. These two rims or gutters are kept at the proper distance from
each other (that which correspond to the width of the blade of the dagger) by means of two thin
metal plates named abrazaderas or brackets. One of these brackets is fixed at the mouth of the
sheath, a second one at its middle length. The loops that hold the suspension rings are an
extension of the embracing metal brackets (Fig. 1A to C). All these pieces are held together by
four metal rivets.
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FIG. 1.
Left: the structure of the typical Celtiberian dagger-sheath
Right: section of the Celtiberian sheath
A) schematic representation of the section; B) drawing of the same section; C) picture of the mouth of the
sheath depicted above
Finally, both rims are linked together at the bottom of the sheath by a flat, discoid and
independent piece, the chape, which is identical in both Celtiberian and early Roman daggers.
In some cases, the front and back are covered by thin metal plates decorated with geometric
drawings. It is generally quite easy to distinguish the front from the back of the sheath, the first
one decorated and the joints between the different pieces only found at the back. It is obvious,
therefore, that the main and structurally most characteristic piece of this construction method is
the lateral rim. As we will see, this piece is absent in their Roman counterparts – except for a few
“transitional” examples such as the Titelberg dagger (see below).
The Roman sheath, on the other hand, alternatively presents two very different construction
methods. They can be divided roughly into three types, although all three of them use four rings
for suspension. The first, and apparently the earlier one, was named “sheath type A” by Scott
(1985; 1989). It is made of two thin metal plates, for the front and back of the sheath, with inlays
at the front, and leather or wood liner. The front plate simply bends its borders in order to reach
the back plate. Both plates are fixed together by nails which also serve to hold the suspension rings.
Between the front and back plates there is a small space, large enough to accommodate the blade.
Therefore by the simple expedient of bending the front plate back at its borders, there is no
more need to use lateral rims, so typical of Celtiberian products. This is therefore the most
significant difference between Iberian and Roman sheaths. This Roman “A type” method would
be used again in 2nd and 3rd c AD models, but with an odd detail that we will discuss later.
A second method of sheath construction was developed in Roman workshops during the reign
of Tiberius. Scott’s “B type” is a completely different system; it simply consists of a leather or
wooden structure, probably two pieces fixed at their borders, and a metal plate, usually richly
decorated, fixed only to the front of the sheath.
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So, in none of the basic Roman models do we see any traces of the Iberian “rim type”
construction system, a fact that raises the question whether they are at all related to each other.
On the other hand, the ring suspension system, and the discoidal ending are shared both by
Iberian and Roman sheaths.
As we have already pointed out, a very intriguing event took place in the second and third
centuries AD as dagger sheaths again resemble early first century AD “type A” models. But these
later sheaths now show big portions of the full metal plates cut off to show the leather or wooden
plates underneath. But what is most intriguing is that these cut offs in the Roman sheath plate
are found precisely in the same places were one would expect to find no metal in the Celtiberian
sheaths. Also, the metal plate is spared and preserved at the same spots where one would find
metal in the Iberian model, that is, at the lateral rims and the two brackets. This process is
repeated in both sides of the sheath, front and back. As a consequence, the Roman sheath of the
second and third centuries AD very strongly resembles the Iberian sheath, and, if not analyzed in
detail, could be mistakenly taken as one, although their construction method and structure are
radically different.
It would seem as if at this late period the old models –not the early Roman, but the late
Celtiberian ones were being imitated in outward appearance, although not structurally– we wish
to emphasize this last point: only personal exam or a good drawing can avoid confusion. There
is however a problem which makes this theory unlikely, namely the large time gap between the
disappearance of the Iberian sheaths (around the end of the 1st century BC) and the appearance
of this Roman sheath model (around the 2nd c. AD). Although possible, it is difficult to believe
that memory of the Iberian sheath survived at such a late date.
A second explanation of this peculiar fact could be an attempt to make the sheath lighter, by
cutting off fragments of metal from the plates. Following this reasoning, the coincidence between
Roman and Iberian examples in the choice of the portions of the plates to be cut off and those
to be left untouched could be explained by the strength requirements of the structure. In other
words, the presence or not of a metal covered surface at a particular point is determined by the
need to strengthen that specific point of the structure. These points that required strengthening
were the mouth, the bottom, the borders and the middle of the sheath. This could explain the
coincidence in choosing the same places to be covered by metallic pieces in both Iberian and late
Roman sheaths.
SUSPENSION SYSTEMS COMPARED
The main problem comes in determining the way Celtiberian sheaths were suspended, as
iconography is regretfully imprecise. Different hypotheses have been proposed, but we still have
many doubts as to which are more feasible: a baldric across the chest? hanging vertically from the
hip? Across the waist? Or hanging from frogs at the waist? Also, different Roman systems have
been identified.
We find strange coincidences and perhaps even greater differences. The suspension system was
somehow similar between Iberian and Roman sheaths, as we shall discuss. In both cases we find
examples that could be interpreted as the system already referred to as “frog”, that is, two small
straps of cord or leather hanging from a belt down to hold the sheath. The problem is that there
is nearly no iconography. The closest is a series of sculptures from Galicia in north-eastern Spain
depicting Galician-Lusitanian warriors carrying swords and daggers (Quesada, 2003). But there
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FIG. 2: Distribution of Celtiberian bidiscoidal dagger sheaths and their types in the Iberian Peninsula
is no complete certainty about the date of these representations, and they could be even as late as
the Flavian period. In these sculptures we can see warriors with a dagger suspended on the right
side of their bodies by means of what seems to be a frog, that is, two side straps hooked to the
belt.
The earlier Roman examples show also different suspension systems, some of which are
interpreted by us as transitional stages between the Celtiberian origins and the later Roman
peculiarities. The case of the funerary stele of the centurion Minucius Lorarius (Keppie, 1991:
115-121) is particularly interesting as it reveals a completely horizontal suspension from the belt,
very similar to one of the Iberian suspension systems. The already cited sculptures from Porcuna,
in Spain, show Iberian warriors from the fifth century BC bearing daggers in a very similar way,
and this system seems to have lasted in Iberia for a long period.
A very interesting case comes from Titelberg, Luxembourg (Vanden Berghe & Simkins,
2001–2002: 75-84). This is a dagger found in a clearly Imperial Roman context that belongs to
the Celtiberian dagger tradition. Its construction method and shape, both of dagger and sheath,
are perfectly comparable to the Celtiberian examples. It has been dated around 30–12 BC which
means it is one of the earliest examples of Roman military daggers preserved. Its early date goes in
accordance to its transitional characteristics in the evolution chain; or it could even be a true
product of peninsular artisans that finally found its way into the northern limes. It is curious to
notice that in this case, apparently, the position of the suspension loops has been inverted, the left
one being closer to the mouth and the right one closer to the bottom of the sheath. This is precisely
the opposite of the Celtiberian manner, suggesting that the Roman dagger would be hanged from
the left side of the body, instead of the typically Celtiberian position at the right side.
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FIG. 3. The predominant sheath models in each century,
including both Celtiberian and Roman examples
Iconography combined with epigraphical analysis could help us understand the Roman
dagger and suspension system but this also introduces some problems. As it seems, it was a
common practice for soldiers to hang it from their right side of the body, while the centurions
and the rest of the officers would hang it from their left side. Whatever position the dagger
occupied, the sword would hang at the other side, in order to maintain a balance.
If we come back to study the peninsular archaeological evidence, we will see that the
Celtiberian sheaths show a variety of suspension systems as an obvious consequence of the equally
heterogeneous family of sheaths they belong to. The Iberian dagger sheaths are divided into
different groups according to the number and position of their suspension rings (Fig. 2 and 3).
The most common variety, as we have already stated, is the one with two rings placed diagonally.
In the Iberian case, the left ring is placed down and the right ring up. This has been interpreted
as an evidence of a diagonal hanging suspension for the sheath altogether. But we do not know
the exact way this was achieved, perhaps from a baldric or from a belt.
In another case we find two rings, both placed on the same side of the sheath. We could guess
a horizontal suspension system from a belt as the most probable solution.
But the case that arises most interest for our analysis is that of the Celtiberian “lateral handle”
system (see above). We can trace its existence to the latter part of the fourth century BC. It is
defined by two metal vertical handles, one on each side of the sheath (Filloy & Gil Zubillaga,
1997). From each of the handles clings an independent piece of metal that bends on one of its
ends embracing the sheath handle and clasping a leather strip in the opposite. So, we can
summarize it as a suspension system by two metal pieces attached to leather strips. This system
of suspension is named a “frog”. And this is precisely the most interesting feature of this model.
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Both this particular Celtiberian system and all the Roman systems are based on the same
principle: the frog suspension. In the Celtiberian lateral handle sheath the leather frog has been
transformed in two metal pieces that work the same way as the Roman example.
We could therefore deduce that, perhaps, the same system was used by subsequent Iberian
sheaths up to those that the Roman legions came to know, which could have finally had an
influence on the first Roman manufactures.
But we still don’t know whether this frog is part of a baldric or of a belt. If we are to believe
the iconographic representations of soldiers, apparently in the Roman army the sword could be
hung either from the waist (from a belt) or from a baldric across the chest. But the Roman dagger
would always be hung from a belt. We have nearly no representations of the Iberian case,
excluding the Galician warriors and some much earlier Iberian examples, as in the Porcuna relief.
In the first case, the suspension of the dagger is from a belt, while in the second it is from a
baldric. Perhaps both solutions were applied indistinctly.
On the other hand, all Roman sheaths present the same single suspension system based in four
rings, two on each side of the sheath. The most striking fact is that sculptural iconography seems
to show that only two of the rings were actually used 2, those being the ones closest to the mouth
of the sheath (upper ones). Therefore, although the Roman sheath has four rings, it is again
suspended from two leather straps, as in the Iberian case. As a consequence, we can interpret the
Roman frog suspension system as a possible, although in no way proven, influence from
Celtiberian culture.
CONCLUSIONS
A relationship between the Celtiberian bidiscoidal dagger and the Roman military dagger
(pugio) is the only possible explanation to the very strong similarities and other coincidences
observed in both, and is now generally accepted.
But the relationships between the sheath types is not so clear. As we have seen, there are
certain similarities between them, but also a very significant difference regarding the structure
and method of manufacture. The similarities lie in suspension system using rings and perhaps a
frog. Furthermore, there is a coincidence between the external shape of the 2nd and 3rd century
Roman sheath and that of the Celtiberian sheath. But, as we have discussed, this could be
accidental. In any case, the radically different methods of manufacture –the Roman system being
cruder and simpler, but very effective– demonstrate that Roman sheaths simplified and got rid of
the complexities of the early Celtiberian manufactures.
2 Except perhaps in the case of the funerary stele of imaginifer Genialis (CIL XIII, 11868) where a possible second
strap of cord seems to fasten to the inferior rings of the sheath.
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